Schrodinger's Dachshund

Shaftori and the MOAN

A Modal Ontological Argument for Necessitarianism and its Mystical Origin

Late last year Petronius Jablonski experienced Shaftori: Enlightenment from the 45 RPM of Isaac Hayes’ “Shaft” played at 33 RPM. Like Parmenides’ descent to the halls of Night, his journey was part metaphysical reasoning and part mystical initiation. The stone-cold groove reduced him to a nanoscopic seahorse adrift in a measureless mega-fractal, absurd and sacred, tiny beyond reckoning yet somehow required, a necessary syllable in an infinite and pitiless scripture.

He returned with original and definitive proof of Necessitarianism: the thesis that whatever is true couldn’t have been otherwise, that nothing about reality could have been different in any way whatsoever. The result vindicates Necessitarianism and proves that he, like Parmenides, has been behind the veil.

In the structure of the Mandelbrot set there’s a region where the filaments branch into forms that look distinctly like little seahorses. Mathematicians call it the Seahorse Valley. Zoom-ins show repeating spirals whose shapes resemble the curled tails and bodies of seahorses.

Note well: this is not the work of some brilliant mathematician lovingly designing seahorses. This is a necessary feature of the Mandelbrot set with no contingency or design at all. Why does it exist? It couldn’t not exist and there’s an end of it.

Jablonski’s epiphany is that all reality is like this. And he can prove it.

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