Canes pugnaces, Existentialism, Literature, Ontology, Quietude, Truth

One-Millionth Visitor, And He Never Knew

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Who Is Maestoso the Dachshund and Why Is He Following You?

The rueful admission echoes down serpentine catacombs deep in your mind, waving a torch through long-buried chambers inscribed with crayon hieroglyphics: you’re staring up at the diving board with dread during a swimming lesson; you’re playing hide and seek in your grandparent’s musty basement; you’re debating whether to shoplift and you know the clerk knows what you’re thinking; you’re kissing and you’re sure you’re doing it wrong and wondering if she knows you know she knows.

You’ve been robbed. Those times, where did they go? Once so alive but now hidden in a mass grave. And that’s where the future ones are headed. Remember that. All the days to come will vanish thus. What value or meaning can they contain? We are hoarders of dust.

Maestoso floats toward you like a submarine by Louis Wain, the thin black lips on his alligator jaws pressed together in a sardonic smile, whiskers twitching, his eyes not the perceptual organs of a unique being but portholes to the world of imperishable abstractions where modus ponens and the prime nature of three and five will survive the heat death of the universe and you’ve never been so grateful to have a cat.

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Temple of 11,111,117 Holes

In the Temple of 11,111,117 Holes a novice lights a torch and enters the gaping mouth of the cave and the holes consume him. Each step requires great effort as though against a strong wind or into a place of great danger, its nature unknown and perhaps unknowable. In the center he stands and takes deep breaths before looking up into the millions of black eyes watching him, dissolving him.

This is when the greatest fortitude is required. Many before him lost their nerve, never to return, not free of emptiness but haunted by it. He regards the thin membrane separating one hole from another, its nebulous and transitory nature, as if existence is less substantial than nothingness. Paradoxes and riddles overwhelm the feeble abacus behind his eyes.

Some monks use a walking stick to steady trembling knees and accommodate greater depths of thought. Others criticize the practice, saying the holes would never give a monk more than he could tolerate, that to artificially enhance indulgences is a crime against nature. Brethren of the Stick say it is more unnatural to ascribe intentions to the holes. A third group dismisses both on the grounds that naturalness has never been established as a criterion of contemplation.

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In Search of Proust’s Bassett Hound in the Library of Babel

Why Proust? It’s the sorcerous powers of description. You don’t need to keep a flow chart of the characters or study the Dreyfus affair. You want to read how the moon in the afternoon sky is like a beautiful actress who sneaks into the audience to watch a portion in which she does not have to appear. Virginia Wolfe said the best thing about life is reading Proust. That ignores some conspicuous contenders, but he’s the only writer who cracks the top five. There’s only one way it could be improved and you don’t have to feel like a Philistine for saying this.

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Mount Silenus: A Vertical Odyssey of Extraordinary Peril

Some say Fate cannot be fought, that it is entrapping as quicksand, omnipresent as the ether. Notice how the cleverest excuses and slipperiest arguments are used in defense of cowardice. Through capitulation to routine man dies an ignoble death long before his mortal coil makes it official. He forgets he is living. Combat is the supreme reminder. What is that putrid stench? Is it not the rot of man’s spirit, the smell of lies told to assuage the failure of those too craven to fight, smoke wafting from the languid den of routine addicts? To wage war against Fate one must locate the most auspicious outpost and launch an attack. That fortress is Mount Silenus. A battle calls. Warrior, arise.

Towering over you, a geological Rorschach absorbing the frustrations and dreams of a new species of ant chasing the wind up its sides, the 50,000,000-year-old distention of rock recently nicknamed Mount Silenus endures, aroused from the sleep of nothing by the same Source that concocted man, remaining at the orgy of existence on the same invitation. And when man is gone, regardless of how many crept across its sides, it will endure just the same, until it doesn’t.

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Lay with Cudahy?

The gloomy, taciturn Dr. Harris, glaring at us through bifocals and removing them to intensify his sulphurous gaze, stroked his unkempt beard and shook his head when we proposed a joint independent study titled, A History of the Cudahy Taverns: Packard Avenue. We returned the following day to plead our case, wielding the deadly argument that his dismissive reference to Cudahy as “some small, blue-collar abutment of Milwaukee” was no less contemptuous than describing the Temiar of Malaysia (his dissertation subject) as a group of uninteresting savages with absurd religious beliefs. A twenty-minute session of furious beard stroking ensued, probably infested by the realization that we had actually perused his dreadful, meandering doorstop.

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Estimations

Purple People, seated under the purple lights in the Phil Zone like surfers of an eruption, we envy you on 12-31-80, the first Estimated Prophet of 81 and last of 80, the metaphysical glue of their connection. Focus on Phil during the Jam until some Helen Keller awakening shatters the shell of your mind and reveals to the stunned hatching within a world beyond all wonder. The intrinsic peculiarity of the song is never covered by the gray blanket of familiarity wrapping most things. It’s as different and mysterious and off-the-wall and triumphant and creepy as the first time you heard it.

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Serial Killers Who Worked Security

Why are there no paralegals moonlighting as Grim Reapers, no librarians driven to carnage by inquiries about Dan Brown? Security fields a disproportionate number of the empathy challenged. Practitioners of this noble calling succumb to dark nights of the soul, wondering if the property they defend requires blood to sustain its existence. Why is it always the loners? What happens in the cold vacuum of solitude, time spent with the ultimate stranger? Consider ten instances of this cruel occupational hazard and wonder why “going rent-a-cop” never joined the lexicon.

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Petronius Who!?

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Quietude, Truth

Plato’s Cave? Big Whoop!

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An Odyssey of Historic Proportions & Priceless Treasure of Philosophy unveils the paradigm-shattering contributions of Petronius’ Shovel©, Petronius’ Blender©, Schadenfreude Before-the-Fact©, the Mushroom of Consciousness©, Quietude©, and Petronius’ Garage©. They take their rightful place in the pantheon above Occam’s dull Razor, Plato’s much-ballyhooed Cave, Aristotle’s overrated Golden Mean, and Russel’s leaky Teapot. (Also includes a blistering critique of the Phoenix legend).

“[R]eads like a surreal existentialist crisis, a stream-of-consciousness narrative that employs secrets and intrigue as a driving, page-turning force.”  Publishers Weekly 

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Excerpted from Chapter II

Just as William of Occam gave philosophy his Razor (undeniably useful but somewhat overrated), I hereby contribute my Shovel. This tool will prove to be as easy to use as its namesake. An example of it in action will serve as a good first approach to understanding it.

Now, by what criterion are things considered strange or normal? According to the regularity by which they occur, one might respond. Unfortunately, by this standard a halo above a car is quite peculiar and the strangeness vs. normalcy of a great many things becomes a relativistic mishmash. But this is the mere surface of this issue. A true philosopher feels instinctively that the line separating them is, to an enormous extent (if not altogether), arbitrary or illusory. But how can he dig straight to the root of this quandary, to penetrate the imaginary surface and demonstrate the chimerical nature of the distinction for the common man to see?

“Is the halo stranger than the existence of life itself?” the philosopher asks.

“Certainly not. What can be stranger than that?” comes the reply from any man with the barest semblance of cognition. “Explanations of life, its origin and purpose, always seem inadequate, as though nothing could feasibly constitute an answer, as though the question is a gasp of dismay, not a serious inquiry. I’d rather not think about it. Isn’t there a ballgame on?”

“Is the halo stranger than the fact that Something exists instead of Nothing?” the philosopher asks.

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“Absolutely not,” comes the reply from even a business student. “That’s the most peculiar and disturbing fact there is.” Rubbing his temples he cries, “My mind is awhirl. Bring me a video game. I beg you.”

“And so,” the philosopher concludes, washing off my faithful Shovel, his labor at an end, “the halo is not really strange. Compared to the existence of life, which we see every day, it is perfectly banal. Compared to the existence of everything, it is more akin to a sleeping pill than a mystery. Rather than giving it a pejorative label and running about in a tizzy, it is simply a matter of getting used to it.”

“Agreed,” chime the man with the barest semblance of cognition and his comrade, the business student. “Let’s all compare cell phones.”

Now, far from being a mere principle or abstract utility (like Occam’s much-ballyhooed Razor), my Shovel has the unlimited potential for practical, everyday applications. In fact, as the Reader is about to behold, it saved my life, holding my wits together in the face of what a non-philosophic mind would have deemed unbearably strange.

Quietude Now!

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Regarding Quietude, the telos of the New Stoicism: just as Aristotle gave philosophy his Golden Mean, I hereby contribute my Blender, by means of which the profoundest ideas can be mixed and pureed to produce original and superior recipes. This watershed, which the steely eyes of history may very well deem superior to Aristotle’s much-ballyhooed scale, will be elucidated in graspable increments. Regarding Quietude: while the precise recipe shall remain a secret, it contains ingredients from Buddhism, Stoicism, Epicureanism, and Monadology. The name is from the ancient Skeptics (who should have chosen a more accurate description of their uncertain comforts). Through the use of my ingenious, innovatory Blender, these constituents have been combined to create a bold new flavor. Quietude, as I am using the term, is both an original and significant contribution to philosophy.

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Is it an Eastern or Western conception?

A messenger with joyous tidings, I unveiled a concept onion-like in its manifold layers, yet sweet in its succor. Quietude is not akin to a two-by-four. I cannot pummel the Reader into understanding it. A good philosopher relies on the time-tested methods of gradual exposure and the use of context clues. My approach shall be as halcyon as Quietude herself.

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Petronius Who?

One-Millionth Visitor, And He Never Knew

Bobbleheads, Epiphenomenalism, and You

Do Androids Dream of The Mars Hotel?

Eyes of The Lotus Pod

Serial Killers Who Worked Security

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Climbing, Existentialism, Nihilophobia, Quietude, Sloth

Everest? Big Whoop!

Mount Silenus, Destroyer of Illusions

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“A surreal existentialist crisis” Publishers Weekly

“The mountain is nothing more than an extra hilly hill,” you say, cringing. “I was letting a word freak me out. If you don’t tame their power they control you.”

Positive thinking is a Reese’s Peanut Butter Cup of hubris and stupidity. Try taming cyanide. The perils inherent to things exist independent of our descriptions and attitudes. Wolverines for instance. And Oxycodone. And mountains.

You walk on. Silenus grows faster than you’d expect given your cautious pace, as if clawing at you. An abstraction flickers to life: 20% of climbers take up permanent residence here, which means hundreds of breathing, eating, farting, laughing, beer-drinking, poker-playing men DIED here. They forever ceased and desisted from breathing, eating, farting, laughing, drinking beer, and playing poker courtesy of what you’re about to commence. These were not suicides. They were trying every inch of the way to avoid this irreversible and often unpleasant transformation. Then what happens? Welcome to the concrete reality of this question.

The clouds expand and diminish and the sky sheds a grimy exoskeleton to reveal an orange heart pulsing within a vast creature of which you are a mere cell. The sun pools on the snow like orange juice.

The sun, what is it?

In all your meanderings and voyages you’ve never stopped and gawked at the bone-chilling peculiarity of this. Is the existence of Existence humdrum and self-explanatory, or do these questions open empty chambers no free samples from Dr. Schlotski can fill?

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Based on a disastrous attempt

And you, what are you, and where? That mysterious theatre behind your eyes and between your ears, what perpetuates its dynamism?

“I’ll tackle it tomorrow when the weather’s nicer. I need to get an earlier start. Timing is of the essence.”

In a world where no consensus exists on its creation, who can say with certainty that guzzling champagne in the bath is not the greatest accomplishment in life? Return to your kingdom. Silenus will wait.

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A Vertical Odyssey of Extraordinary Peril began as therapy for Post-Traumatic Mountaineering Disorder (PTMD). Some events never recede on the horizon of Time. Dismissing them as the past is wishful thinking. That they occurred before other things is a trivial property, incidental and irrelevant to the sovereignty they wield. Jablonski filled hard drives with descriptions & analyses of what happened, then projected it into the eyes of characters spanning centuries.

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Enter The Abominable Unau

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Existentialism, Literature, Quietude, Truth

Great Irish Writers with Polish Names

GIWWPN found Celtic Consciousness in likely places. Turn on, plug in, pass out, and see how it’s clovers all the way down. In 2017, GIWWPN considered Mount Silenus: A Vertical Odyssey of Extraordinary Peril as one of two finalists. In 2018 they awarded the coveted Genius Fellowship Grant to Petronius Jablonski “not for previous art but as an investment in his future.”

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GIWWPN salutes Jim Morrison for his most underrated song: Land Ho! Hear him discuss his proud Irish heritage.  Humor is the key to our survival. And dancing.

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GIWWPN acknowledges the greatest playwright since Shakespeare. To the Irish, Long Day’s Journey into Night is a comedy about a functional family. (Seeking info about the production with Philip Seymour Hoffman. Any bootlegs?)

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GIWWPN celebrates the greatest novel ever writ, Tristram Shandy, Joyce’s ladder, Schopenhauer‘s favorite: “A novel will be of a high and noble order, the more it represents of inner, and the less it represents of outer, life; and the ratio between the two will supply a means of judging any novel, of whatever kind, from Tristram Shandy down to the crudest and most sensational tale of knight or robber. Tristram Shandy has, indeed, as good as no action at all; and there is not much in La Nouvelle Heloïse and Wilhelm Meister. Even Don Quixote has relatively little; and what there is, very unimportant, and introduced merely for the sake of fun. And these four are the best of all existing novels.”

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GIWWPN trips on experimental fiction because we Irish invented it. Visit the Post-modern afterlife in  The Third Policeman by Flann O’Brien.

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GIWWPN places Maeve Brennan in the same pantheon as Chekhov. Why haven’t you read her?

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GIWWPN finds prophetic descriptions of modern Academia in Gulliver’s Travels: Cucumber Studies.

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GIWWPN reveres a visionary. He was deeper than we’ve been led to suppose.

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GIWWPN embraces the realism of Yeats: “Being Irish, he had an abiding sense of tragedy, which sustained him through temporary periods of joy.”

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“The History of Ireland in two words: Ah well.” – Niall Williams  (See these for details.)

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Existentialism, Literature, philosophy, Quietude

A History of the Cudahy Taverns

“Driving, page-turning force” Publishers Weekly

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An Odyssey of Historic Proportions

Crisp leaves enshroud Cudahy, never as beautiful in life as they are in death. All rejoice in the tomb of summer, frolicking in the burial ground of a time that is no more. This remorseless decomposition, land of nostalgia and déjà vu, idyllic for football and hunting and lakefront bonfires at night, it calls from a place beyond instinct, one primal or mystical and ineptly mapped by our concepts. If Nature speaks through her patterns, what are we to make of this delirious paean to necrophilia, this hypnotic Ode to Mortality?

The gloomy, taciturn Dr. Harris, glaring at us through bifocals and removing them to intensify his sulphurous gaze, stroked his unkempt beard and shook his head when we proposed a joint independent study titled, A History of the Cudahy Taverns: Packard Avenue. We returned the following day to plead our case, wielding the deadly argument that his dismissive reference to Cudahy as “some small, blue-collar abutment of Milwaukee” was no less contemptuous than describing the Temiar of Malaysia (his dissertation subject) as a group of uninteresting savages with absurd religious beliefs. A twenty-minute session of furious beard stroking ensued, probably infested by the realization that we had actually perused his dreadful, meandering doorstop.

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“Alright boys,” he whispered. “Three credits. Due at the end of the fall semester. I will not give you an incomplete. I will not extend the due date.” After a brief but intense session of beard stroking, he removed his bifocals and fixed us with his legendary disintegrating stare. “Don’t disappoint me.”

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I emerged from his office like Trajan returning from Dacia, but Buzzcut expressed reservations. Though in possession of an uncharacteristically athletic mind for a member of our generation, a congenital diffidence often restrained him from ambitions of heroic proportions. “Petronius, what if there aren’t any records at city hall or the historical society?”

“Records? We are starting ex nihilo. The historian who relies on books is no more than a glorified plagiarist. We are poised to become the primary source to which posterity, in humble gratitude, shall turn. For this we must go to the primordial, oracular sources themselves.”

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The vintage Schlitz globe above the entrance to Otto’s tavern, was it not an atlas of dreams, radiant with the light from a better world? “Bottle of Pabst,” I commanded, my voice a crash of thunder. Though billions of nights had preceded this one, and billions would follow, I detected a singularity, a hand-woven weave in the strands of Fate. I beheld the label on my bottle as Edmund Hilary must have looked upon the flag he planted atop Everest.

“I think we’ll need to present this thing as a horizontal tree, the trunk being the first tavern established,” said Buzzcut. “Branches multiply over the course of the century.”

“Will we wear cute matching dresses when we present our little chart? Will we invite our mommies? Will we serve cookies?”

“We have too much data to put in a simple paper,” he said, squeezing a slice of lemon over a gin and tonic.

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“No doubt Boswell warned Johnson not to put too many words in his dictionary.”

“Different old-timers are giving us different names and dates. We at least need a thesis.”

“Please remind me, what was Suetonius’ thesis? Did he use a mulberry or chestnut tree to coalesce the staggering volume of data he worked with? A great historian does not theorize; he installs a window where none existed, he provides a clear view of what has been obscured.”

“Gibbon theorized.”

“I am aware of that great man’s shortcomings,” I snapped, “all of which are more than redeemed by his pinnacling prose. Now, while we gather data unrelentingly, tonight we must address the question of whether to begin with a prologue, a prolegomenon, or a preamble. I contend that a prolegomenon is the proper choice, prologues being the filthy denizens of science fiction and fantasy novels. And given Harris’ modest scholarship we can safely assume he has never before encountered a prolegomenon. The very word will strike terror into his black heart, an overture of the awe that will send him to his knees long before our addendum to our prolegomenon.”

“We need to visit different bars. This well is dry. We’ve interviewed all the regulars.”

I bristled at the gruesome inevitability. It was neither the patrons nor the ambience of the other taverns that offended me, but their infernal, nerve-frazzling, soul-raping, caterwauling jukeboxes. Otto’s boasted CDs by Sinatra, Dean Martin, and Perry Como.

“We’ll stick with the oldest buildings,” Buzzcut announced, usurping my role as the commander of our voyage. “I checked with city hall. Out of the eighty-two taverns on the mile-long strip we’re concerned with, only a handful were built before the First World War.”

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I sought Quietude with the reflection that our sudden change of method might facilitate the extraordinary evening prophesized to me. We finished our drinks and plunged into the abyss, exchanging the air-conditioned, submarine-like enclosure of Otto’s for the rainforest outside. Ten feet as the crow flies, The Stone Age beckoned.

“The name and the sixties theme is brand new,” Buzzcut said, mounting a stool while I admired a laminated poster of brontosaurs sipping from a stream of beer flowing out of a giant can. Beside them, a tyrannosaurus in a tie-dyed shirt clutched a bottle in one of its scrawny forelimbs. Artificial ferns and plastic boulders segmented a hall, beyond a rectangular bar, within which a cherubic girl in a cave-girl outfit serviced customers on all sides.

“You are aware that Homo sapiens did not, at any time, co-exist with dinosaurs,” I said. “Furthermore, the connection between them and sixties rock music is far from transparent.”    The Annals of Petronius Jablonski  

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Also set in Cudahy:

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“Jablonski is able to inject a sense of immediacy and intensity in the story by using sparse description that suggests more than it tells. … An engaging narrative.” – Publishers Weekly

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Woolgathering & Pining for Cudahy in the 1980s

Dick and Debbie’s Goldmine. The Courthouse. The Pumpkin Tree. The Hippodrome. The Bear’s Lair. Chuck and Dolly’s. Club Baghdad. Pat Henry’s after working third shift. Getting served for the first time at Rod’s Liquor Store with 70-cent quarts of Rhinelander. Beachers at the Pumphouse and Smoky’s. Grateful Dead concerts at Alpine. And Springsteen. Picking up girls at Hot Shots and taking them to Pulaski Park. Gold’s Gym. The Hobby Shop. Scott’s Rose Gardens. Discovering the Alabama Slammer. Rediscovering the Alabama Slammer because you can’t remember the maiden encounter. Quarter-barrels of Hamms for $10 (sans deposit) and 60 Beachers in a row! (One had seven brave diehards in the rain; one had 150+.) The original library across from the post office. Seeing Caddyshack at the Majestic Theater (and Halloween, and Phantom of the Paradise). Taking the bus to Southridge to buy Kodiak at Tobacco Town. (They also had a theater & pet store.) The pool hall on Packard & Ramsey(?) had Iron Man on the jute box and wearing an army jacket was mandatory. The carnival that came to Packard Plaza each spring. Fish fries. Sneaking into Sheridan pool after Beachers (and the golf course pond). New Year’s Eve attempts to have one drink in each bar on Packard, Odyssey-like and ultimately tragic. Waiting on the steps of Adamczyk Foods for The Dude who bought us beer at Rod’s Liquor. I’d trade all my tomorrows for a Beacher in 84.

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The only barrier separating Then from Now is a distance finite and definite, measurable by the hands of a clock, each minute connected to the next like a series of steps leading inexorably between two towns. Yet that time could just as well be Atlantis. And you’re visiting. Everyone was living their lives like you are now, that time just as real to them. What became of it? How can something so vivid and tangible become the dream of a shadow? Maybe this moment will be different. They tell you to seize the day but they never say how. Does Home Depot have special gloves?

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One-Millionth Visitor And She Never Knew

“The places that we have known belong now only to the little world of space on which we map them for our own convenience. None of them was ever more than a thin slice, held between the contiguous impressions that composed our life at that time; remembrance of a particular form is but regret for a particular moment; and houses, roads, avenues are as fugitive, alas, as the years.” Marcel Proust

This post was originally written in response to the following barbarism. An attack on your hometown is no different than an insult directed at your mother. Respond accordingly.

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Petronius Who?!

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