Existentialism, Fatalism, Quietude, Truth

Man, Burning

The alien astronomer gazing into his telescope light-years away, someday he might see you. Pull over and jump on the hood and flail your arms and shake your fists, for you will leave no other trace.

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The restless ghost of Lake Lahontan fills the desert. A primitive mind would accept no explanation short of smoke from the extinguished sun. An educated one might fear that again a great asteroid has struck.

“You can’t drive,” she says. “It’s a sandstorm.”

“I thought it was the gentle mist of a rainforest. I’m recharging the battery.”

“Do we have to listen to this?”

“It’s an antidote to the techno music. Dean Martin soothes me.”

“How bad is your sunburn?”

“Don’t look. I can feel the pressure from your eyes. Amputation might be necessary in one area. I hope we can still be friends.”

As though celebrating the celebration of a celebration whose meaning mutated across some great Chinese whisper, three gypsy women with pink hair and Hula Hoops lurch into existence. A plaid unicorn struggles to keep up then splits in two, amoeba-style. The posterior curses the anterior. You buzz the window down and call to them but they keep going, making their way back to the Martian Mardis Gras.

“Close it!” she says, covering her eyes. “The sand will ruin the stereo. Are you out of your mind?”

“I spent the day wandering around in a desert. If A then B.”

She laughs and takes a long drink of water and hands you the bottle. “You have to drink even if you’re not thirsty.”

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“[E]mploys secrets and intrigue as a driving, page-turning force”  Publishers Weekly

What will you say to your friends at work about this dustbowl Dada exhibit, this infomercial for Archetypes Gone Wild? Will you mention it after a discussion of the ballgame? Words, those crude nets sufficient for trolling shallow waters, how will they transport these fantastic creatures? The inability to describe something makes it your captive. And vice versa.

“How long do sandstorms last?”

“This is no biggy,” she says.

“What about Ozymandias?”

“That statue was ruined, not buried. Let’s try again. This is romantic.”

“It hurts too much. That stretches the skin. Think of a balloon inflating.”

“Why did you have to walk around nude?”

“Because I never did before and this is the place to do it. I can’t believe we saw your friends.”

“That was so weird.”

“You didn’t have to yell to them.”

“They won’t remember.”

“Thanks.”

A man in red, white, and blue greasepaint walks at an angle against the wind as though approaching an angry god not by faith but through sheer force of will. Fantasizing about a motel with soft sheets and a pool, you watch a yellow submarine materialize out of a receding brume. Brontosaurs of black rock slumber in the distance.

“It’s clearing up,” she says. “Let’s go.”

Enter a world where Nature endowed her children with bioluminescence. They dance and roll and galumph across the playa. Held by an indecisive stagehand, the moon can’t decide which circus ring deserves attention. If an alien astronomer 12,000 light-years away peers into a telescope it will see the campfires of those who once lived here, see them fishing cutthroat trout, nursing babies, dying. How long until a band of nomads are burning effigies on the floor of Lake Michigan?

You climb the spiral staircase of a dragon’s neck and stand in line for two Martinis. “We shouldn’t be boozing,” she says. “Alcohol is a diuretic.”

“I read the all the survival crap too. Think of it as medicinal. We don’t have to worry about snakebite. Is this Burning Man bigger than last year?”

“Probably. It’s hard to tell.”

Enchanted by throbbing bursts of sound, a gathering of gyrators proceeds as if dancing in the moonlight is no less natural than flying south for the winter. Maybe they’re right.

“Let’s find the Abstininthe bar,” she says. “Keep your eyes peeled for Sigmund the sea monster.”

“There are 30,000 people here and we’re going to hang out with your ex. We saw his lame costume at Halloween.”

“At least he has one.”

“In case anyone asks, what are we?”

“You’re Angry Sunburned Guy. I’m your longsuffering girlfriend who’s really an android.”

“Why am I angry?”

“You thought I was conscious but it’s only a simulation.”

“All this time you’ve been faking. That’s a crusher.”

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Winner of the GIWWPN Genius Fellowship

Outside a tent lit from within by a strobe light, two men in pink suits sip piña coladas. They’re wearing stools on their heads. You gawk. Perhaps the absolute absence of meaning creates a black hole from which not even thoughts can escape.

“Think about it,” says one. “You can figure it out,” says the other.

No you can’t. Like the sound of one hand clapping, this koan withholds its satori.

“We’re pieces of gum.”

Standing beside you and taking judicious inhalations from a balloon, Moses Jr. says, “I don’t get it. Why would gum wear a suit?” He offers you a hit. It’s a simulacrum of dessert, matter-free whip cream. The sounds of things stretch and convulse on their way to your ears, slithering on the ground where they receive an electric charge. Everything you’ve heard heretofore has been acoustic. Now it’s plugged in and distorted by a wah-wah pedal.

You look to the stars for mooring, the only constants in this carnival of flux, but you’re forgetting something. They are no more eternal than breadcrumbs tossed across a dark pond. Permanence is relative; oblivion, patient. That even they must die, these cherubs who shone for billions of years in a wondrous way, should their mortality bring you comfort, a familial affinity, or despair? Are ceremonies underway on any of their adjacent planets or have they all blown themselves up?

She takes your hand and leads you away. You catch the vapor trail of her thoughts until the magic gas releases you from its spell. Why couldn’t our atmosphere be composed of nitrous oxide? Would that not ensure utopia?

A statue of Medusa dwarfs you. Glow Stick serpents flap in the gritty breeze. Zealously she withholds her raison d’être or denies its necessity. What were the surrealists rebelling against? you wonder, clinging to the absurd idea that all this makes sense in some Big Perspective if you step back far enough. Careful. You could fall off the edge of the world before figuring it out.

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Eyes of the Lotus Pod

“I wish you wouldn’t huff that shit,” she says. “There’s no way of knowing if it’s pharmaceutical grade or the stuff they use in cars.”

“If it’s good enough for A.J. Foyt it’s good enough for me.”

A man draped in green rags calls to her. They hug. Reluctantly you bump knuckles with her ex. “A tossed salad? That’s hysterical.”

“I’m Sigmund the sea monster.”

“No one remembers that stupid show. You could say you’re low tide, or a pile of leaves, or the Green Reaper after he’s fallen on hard times.”

“I’m Sigmund the damn sea monster, alright?”

She scowls at you. “This is awesome, hey?”

“Yeah,” he says, which marks the high water mark of their conversation. The tedium of what follows, how it hobbles the frenzied majesty of the night, serving to demonstrate the banal essence of language, proving that whereof one cannot speak he should remain silent. (But could a romantic poet do any better? Dante, maybe.)

“You ready for the burn?” she asks him.

“Why do they burn it?” you say. “Per Frasier’s Golden Bough why not have a corn man everybody eats? Or, to symbolize the transitory nature of things, they could have Dissolving Man, who’s made of dry-ice and fades away to nothing. Burning is too medieval, too inquisition-like. Don’t they want something more in tune with paganism?”

They regard you with brute stupefaction. “Have you seen Steve?” he asks her, not deigning to engage your inquiry.

“Hey Squidward, is there a port-a-potty around here?”

“Sigmund! Yeah, keep walking that way. You can’t miss them.”

Your not-so-distant male ancestors would have bathed in his entrails. You’re not fit to kiss their feet. You hear her apologize for you being “like that.” How wonderful it must be to have risen so far above our nature. How did she do it? And why hasn’t she shed temper tantrums and her belief in astrology, or do those increase with enlightenment?

Harpo and Groucho ride unicycles while juggling bowling pins. Chico sits on his haunches yelling some eastern European dialect into his cell. “I loved Animal Crackers,” you tell them. “It was your best one.”

Groucho smiles but shakes his head. “Night at the Opera,” he says, his voice an accidental property of his accent.

The splendor of five-foot cupcakes cruising past is negated by the painful need to defecate and knowledge of the horrors it will entail. Why must the earthly trump the transcendent? How can Flesh prevail over Spirit, not content to conquer it but insistent on derision? When you raise your eyes to heaven you get kicked in the groin.

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Everest? Big Whoop!

“Did you find one?” she says.

“No, but there was a signed urinal out in the open.”

“That was an exhibit,” says her ex.

“Relax, Spongebob. I’m joking. Let’s get going.”

The space you travel cannot be measured in meters or minutes. It’s more like the distance between Alice in Wonderland and Zod Wallop. A wave of sand deposits Ye Olde Nutmeg Tent. Subsequent waves threaten to take it back.

“Hot chocolate drinks aren’t going to be too popular,” she says.

“It’s hallucinogenic.”

“Nutmeg? No way.”

You smile at a girl who’s wearing a Daniel Boon hat, furry boots, and nothing else. Below her pierced naval, four tattoos depict an animated sequence of dancing bears. The narrow entrance to heaven is not obscured by any dark medium. “Nutmeg is like a six-hour panic attack during a hangover. It makes you feel –” The first bear, red, stands with feet planted. The second bear, green, has one leg lifted. The third —

“Why don’t you take a picture. If you wanted to drool at naked women you could have spent the week on a stool at Heartbreakers.”

“I wasn’t looking at her tits.”

“I’ll give you that.”

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One-Millionth Visitor, And He Never Knew

Clouds at dawn exhibit more evidence of design than anything below. Chariots of mutant divinities scramble for parking. And that hovering molten ball, what is it?

“I can feel something,” she says. “It’s kicking in.”

Should you mention the neon paisley swirling on her skin? Hopefully the realization that this was not an ideal time for spelunking inner space will be as fleeting as most sensations. If it bothers you, subdue the monstrous blazing ball with the cure-all potion of familiarity. Compose a dossier. It’s 31,000,000 times as far away as your apartment is from Heartbreakers. Its age spots are cancerous and malignant. We revolve around it and it revolves around something else and what if it starts leaking? One drop will burn everything to cinders. Grab her hand and run!

“What’s wrong?” she says, the two worst word-thingies to hear at this time.

“Nothing. Just trying to block the glare.”

“Here. We need to keep drinking water even if we’re not thirsty.”

An unspoken rejoinder seeps into your mind. Or we’ll die. But what is death? Stranger still, what is life?

Four chessmen skip past holding hands. Maybe they’re refugees fleeing the genocide of pawns in the Old World. Will their communist experiment result in an egalitarian paradise or even worse horrors? You know the answer. Stop them before it’s too late.

“It’s getting hot,” she says. “We should look for shade.”

Or we’ll die. Killing time on acid was precarious enough in an air-conditioned hotel room after a Grateful Dead concert. This is of a different order of magnitude. What were you thinking? Her brainless ideas — foolish in theory, disastrous in practice, unyielding to the stern professor of experience, subjected to the analytic rigor of a child at Farrell’s Ice Cream Parlor — why don’t you act as the break of sanity? “If you think about it, Burning Man isn’t any stranger than the sun,” you tell her, longing for companionship on the lonely frontier of obvious but neglected musings, the stock-in-trade of your rueful choice for breakfast.

“How’s your sunburn?” she says. A malevolent gleam in her eyes suggests the interior is being leased to demons.

“Would you like to see my tan?” And in an instant you’re observing the redundant ritual decreed by the one tyrant against whom there can be no uprising. It commands your return to the oneness whence man emerged, its titles as silly and insufficient as the strings of letters and numbers used to name distant galaxies. Those crude and diminutive monikers, make love, coitus, fuck, are they not the flimsy shields of cavemen cowering before an unfathomable force?

Aggregate of life’s bliss and purpose, beauty and filth compounded, joyous mocker of our spiritual yearnings, derider of the conviction that our lives are necessary and not the by-product of hapless rutting brutes, why must it come with the disconsolate reminder that the best thing about existence is the means of its perpetuation?

While an earthquake crumbles the crust of your mind, pulverizing the shanties that make you different from other animals, the misery of being human abates. Sweet misery. Focus on the counterpoint between the squeaking seat and the rhythmic squish until the little geyser aimed toward the future departs the present.

“Sometimes nasty, brutish, and short is even better than nasty, brutish, and long,” she says.

“Your perception of time is all goofed up. That was at least three hours.” You supplement the post-coital euphoria with one of her cigarettes. “An ultra lite? Why don’t you just read about having a smoke? That would be more intense.”

“Let’s walk around. It’s too hot to stay in the car.”

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A Bucket List for the Dosed

A Stonehenge of wiry sculptures stands on the dusty plane, skeletal extraterrestrials reaching toward the sky as though forsaken by their mother ship. You feel their pain. The artist walks beneath a purple parasol, beaming. A motley assemblage of admirers compliments him. His pride is misplaced. Look at his hands. They did not create. They transported items from the warehouse of the Possible to the garden of the Actual. But who guards that warehouse? Who laid its foundation?

Under plastic palm trees, dreadlocked drummers beat out Morse code in many languages, each competing for aural supremacy. As always, the sum absorbs the parts, nullifies them. Remember that. A green-haired fairy with nipples like drawer-pulls performs a rain dance, waving a magic wand. One of her wings flaps in the breeze; the other dangles from her back as though swatted by a surly ogre. Correlated to her supplications or caused by them, gray and white intestines ooze from a mortal gash in the sky. The lake that once resided here, perhaps it’s only vacationing.

At the main camp sits a throng of laptop jockeys. What on earth are they blogging about (other than the all-important fact that they’re blogging)? The one in the mink shawl and aviator goggles, maybe he’s updating his Facebook profile to reveal that asparagus is his favorite vegetable.

“The dust is going to mess with their computers,” she says, dancing to a jazz trio composed of obstinate soloists. Beside her a girl rolls a crystal ball from arm to arm and over her shoulders as though privy to its orbital irregularities.

“What do you get when you cross the cantina from Star Wars with the Mall of America?”

“Base camp isn’t like anything,” she laughs. “Your dumb metaphors don’t apply.”

“Similes. And everything is like something. It’s a matter of figuring it out.”

Good luck.

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Existential Horror

“Why are they cheering?”

“The man is burning,” she says.

“Why is that a good thing instead of a reason for mourning? If the ceremony doesn’t have a fixed meaning it could be interpreted as some purgative tragic festival.”

“So cry if you want. Maybe some over-arching theme will be created retrospectively. None of the big religions started all at once. The stories snowballed. What if the man keeps coming back, like a phoenix?”

“They can do better than that contrived mess. How did a bird set itself on fire? Did it rub two rocks together? Weren’t the Egyptians aware they lack opposable thumbs?”

“I don’t think it was meant literally.”

“It’s the curse of the Pharaohs. No one can go within fifty feet of a keyboard without making a reference to it.”

The man implodes. Like the anointing of a holy spirit, the pyre bathes the crowd in light and embers.

“Let’s do a theme next year,” she says.

Good news: she plans on being with you in a year’s time. Bad news: she plans on being with you in a year’s time. “I heard Epcot is having a Burning Man exhibit. Let’s go there instead.”

“That’s not even funny.”

A sandstorm absorbs the cars and tents, dissolving them like solids in a clear plastic blender. You feel like a tranquilized animal on a nature program. Sweet blessed exhaustion. You can enter the kingdom of sleep as an honest man. No need to storm the gates with her little white pills. Hobbling across the bridge to Nod, your last thoughts resemble a prayer. Grateful for this gift, you bless the arbitrary and deranged source that doles it out, the way prisoners freed from the Gulag thanked Stalin. A tenebrous dream about marionettes riding a train with no conductor infests your sleep.

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A Novel of Vengeance, Honor, and Bobbleheads

Conspiring in an empire’s decline they disassemble the carnival. What analogue does this willful, ordered, peaceful fall of a civilization have? Monks smearing away a Mandela? A video of ants building a colony played in reverse? The obscure theory that Time ends in neither a quiet diminishment nor a wrathful judgment but a yank back through every instant of history to that first moment when the Great Watchmaker finished winding?

“It’s a long ride home,” she says.

“Seventeen-hundred miles will go by in a snap. I can’t wait for Nebraska. Remember to pinch me so I don’t think I’m in heaven and go off the road.”

Driving down I-80 you feel like you’ve seen a ghost. Something maddeningly more than the sum of your senses yearns to escape but cannot be freed. Is that not a form of possession? How will you describe it? As it slips through your verbal nets you’ll wonder if it happened at all. You sneak glimpses in the mirror but there’s nothing to see. The celebrants at Burning Man, shamans replete with rituals and sacraments but no creed, shadows cast by spurious deities, paintings by Louis Wain on the canvas of the desert, their beauty and mystique is a function of their impermanence. Leaving neither fossils nor temples they vanish, created ex nihilo and parting with equal abruptness.

“Someone should at least plant a flag,” you say. “Archaeologists won’t even find footprints.”

“That’s one of the main principles.”

Take solace. The alien astronomer gazing into his telescope light-years away, someday he might see you. Pull over and jump on the hood and flail your arms and shake your fists, for you will leave no other trace.

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Plato’s Cave? Big Whoop!

Petronius Who?

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Existentialism, Literature, sweetness of honey, Truth

Go Forth My Book Into The Open Day

Happy, if made so by its garish eye.
O’er earth’s wide surface take thy vagrant way.

They love not thee: of them then little seek,
And wish for readers triflers like thyself.
Of ludeful matron watchful catch the beck,
Or gorgeous countess full of pride and pelf.
They may say “pish!” and frown, and yet read on:
Cry odd, and silly, coarse, and yet amusing.

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From Chandelier Press

When a skirmish of practical jokes escalates, three men learn the boundary separating pranks from vengeance is drawn in dust. An eye for an eye becomes a worthless guide once they’re lashing out blindly. Caught in the crossfire of their reprisals, Vicki, a sarcastic hairstylist, must decide whether to take sides in a war or play Gandhi to madmen.

The bullied becomes the bully when Nelson pays Duncan and Tyler back for childhood torments. Such scores never stay settled. Duncan, an obsessive bobblehead collector, sees practical jokes as art. To Tyler it’s all about honor. After they retaliate, the sleep of forgiveness brings forth monsters: a blitzkrieg where suspicion dissolves alliances, mutually assured destruction is no deterrent, and unintended consequences mock all battle plans.

With war comes collateral damage. Hypnotized by a bobble-wielding Duncan, Vicki perpetrates a cruel prank against Tyler. Upon realizing she’s being used as a human IED, the enemy of her enemy becomes her boyfriend. Unknown is whether she’s chosen the right side, or if there is one.

Fantasies of Revenge are indigenous to a shadowy land where nightmares, archetypes, and bestial yearnings vie for dominion. The Sweetness of Honey charts this territory, offering the forbidden fruit of schadenfreude. “Revenge is sweeter far than flowing honey,” said Homer. Bears aren’t the only species willing to endure hardship for a taste.

One: Requiem for Gorillas

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GIWWPN Genius Fellowship Grant

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Existentialism, Ontology, sweetness of honey, Truth

Sweeter Than Honey

Sweeter Than Anything

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From Chandelier Press

If I abandon this project I would be a man without dreams, and I don’t want to live like that. I’ll live my life or I’ll end my life with this project. Herzog

Someday, life will be sweet like a rhapsody. When I paint my masterpiece.  Dylan

To what shall I liken the creative process, birth or death? Yes!  Luigi Zeripaldi

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Chapter Three: The Sorrows of Nelson

An ancient sage said no man should own more than he can carry. Clutching a Hefty bag and watching the dawn rain brimstone on Milwaukee, Nelson makes a virtue of necessity. One of his boots has no laces, forcing him to favor the other leg, signaling a weakness he doesn’t have. If consciousness is a stream, compassion is a rivulet that appeared yesterday and could dry up this afternoon. Don’t count on it during droughts. Don’t count on it ever.

He walks behind a drugstore and leans against a dumpster and searches through his bag and pulls out a pair of jeans. Is the split in the seat too big to be worn in public? Once upon a time. Not now. Amazing how standards change, like a yardstick warped by humidity. The ragged cuffs don’t reach his ankles, but they’re less awful than what he was wearing. He folds those sour shreds and places them in his bag, a tomb of Bethany from which they will one day arise with new life, when the jeans by comparison are worse.

Sunlight oozes over walls painted with cryptic symbols and spreads an orange growth in the alley, irresistible to a one-eyed cat. It makes a pact with gravity and plunges from a windowsill. On its back it stretches and writhes, in the throes of a feline vision quest, perhaps napping with a pride of elders. Contrary to popular belief, pleasure is the absence of pain. Blink and it’s gone. Don’t blink and it’s gone too.

Back on the street Nelson limps with great resolution. In lieu of rage or bewilderment or resignation, the remains of dignity smolder in his eyes. Avoid the inference. If it can happen to him …

He stands across from a bank and studies the digital clock, outraged by its testimony as if arriving from a place where Time’s obscene striptease is prohibited, the wanton display not tolerated.

Drivers watch him. Disgust hops from one host to another like some condemnation from a Universal Mind using individuals as vessels. It inflames a young man driving a pickup, possesses a woman in a Camry, then fills the faces in one shiny vehicle after another until Nelson yearns for the paradise of invisibility or at least the stupefied indifference of his fellow homeless travelers. With what talisman do they deter this demon or aren’t they superstitious?

Funny how you care what others think even when critical issues vie for precedence. A wise man said consciousness is an illness. Then being concerned with the consciousness of others is a fever in a funhouse.

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A yellow Mustang detonates hip-hop tremors across the pavement. The passenger inspects Nelson and looks away as if recanting belief in his existence. A hybrid runs the light to avoid idling next to him. For this they’re saving the planet? Should have bought a Hummer. It requires no psychic to detect thoughts piercing as screams: sentences of exile commanded by dozens of petty dictators each day. Maybe his cohorts who argue with unseen tormentors are practicing soliloquies of innocence. But their energy nourishes the scrutinizers, transforming lowly magistrates in the court of social norms into executive editors deleting names from the Book of Life.

He spits in the gutter and crosses the street. His reflection in the bank window flinches. If only some telescope could have seen this apparition approaching from the distance of ten years. He could have taken another direction. Or were other future incarnations worse? Maybe there was only one. Cold comfort until you think about it. Something made this happen. This. Hard not to take it personally.

The people inside tend an abstraction that grew from the exchange of beads for food, the way sacrificing goats to stop thunder morphed into Mozart’s Requiem. Small changes accrue, leaving few fossils. Remember that. The rest is trivial.

“We don’t have public restrooms,” says the security guard, followed by a disastrous attempt at a smile. Any juries deliberating whether pity is worse than cruelty are dismissed.

“That’s alright,” says Nelson. “I piss and shit outside. Like an animal. There’s something wrong with your clock.”

“It tells the time, temperature, and date. You can watch it for free. Outside.”

“Are you sure my eyes won’t wear it out? I’d be happy to pay for the depreciation. I have some underwear in my bag I could trade.”

On his first day the guard must have thought he’d be foiling robbers, negotiating with kidnappers, and seducing tellers who instead act as vessels of the same harsh judgments haunting Nelson. Some of the patrons turn away from the confrontation, declaring neutrality or at least indifference. Those who watch find succor from the pain that living brings, mollified by the ultimate antidepressant: Schadenfreude XR, time release, a natural tonic used by all people at all times.

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“I want to call your attention to the fact that it’s not showing the same temperature as the credit union,” says Nelson.

“I’ll be sure to mention this to the president.” The guard hands him a pen. “I’d like to thank you for your support.”

“You don’t have to be an ass. I’m trying to help. You need to check and see if anything’s wrong with it.”

“Nothing’s wrong with it. Ours is the correct one.”

“How do you know? Prove it. What if they’re both wrong?”

“Maybe you could keep an eye on our clock. Outside. If you do I’ll give you another pen tomorrow.”

“Can I fill out an application for your job? I promise I won’t mention the grade school diploma that makes me overqualified.” Nelson unzips his parka. A ghastly stench seeps out like some malevolent genie escaping a cracked bottle.

The guard steps closer until his face contorts. He remains a few feet away as though blocked by a force field. Revulsion is an instinct. And judging. He can’t help blaming Nelson for stinking and dressing this way. Everyone naturally believes we choose our traits. Some thoughts are as essential to survival as lust and thirst. Most are lies.

“There’s a restaurant three blocks up the street with a bigger sign,” says the guard.

“It has the same temperature as the credit union. This isn’t a matter of consensus. If it were, your bank would have some explaining to do.”

“Maybe the temperature is different from place to place. Why does it have to be the same everywhere?”

Nelson covers his ears and screams. Two of the guard’s neckless comrades approach, chomping gum. A teller with shooting stars tattooed on her neck and a swarm of earrings grimaces and looks away. Some tribal chieftains killed subjects who walked in their footprints or made eye contact. Talk about privilege. Bank tellers have no such rights.

“The thermometer here is wrong,” Nelson yells to the patrons. “They’re lying to you, you stupid sheep. Don’t you care?” He retreats through the revolving door. This one doesn’t lock when he’s halfway through, trapping him like an insect in a Tic Tac container. Distorted by the tinted glass, the guards watch him like mad scientists performing a biopsy of his soul. He doesn’t wait for the diagnosis. Far above, all those chemicals failing to clot in the silent and beautiful reaches of space have no idea how good they have it.

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Chapter One: Requiem for Gorillas

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Existentialism, philosophy, Schrodinger's Dachshund, Truth

Gus Sanders, Segmentarian

The gods had condemned Sisyphus to ceaselessly rolling a rock to the top of a mountain, whence the stone would fall back of its own weight. They had thought with some reason that there is no more dreadful punishment than futile and hopeless labor.  Camus

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The archetypal resemblance between the Grim Reaper’s scythe and your lawnmower, surely it’s no coincidence the Big D carries a yard tool rather than a metal-detector, .357,  or pool cue. To explain the particular, start with the general. Take a step back with Gus Sanders, founder of Segmentarianism. During a Peak Experience (aka Satori) he realized the gods made Sisyphus push a boulder because their mower was in the shop. Based on a true story.

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Gus Sanders rested his hands on bulbous knees jutting above black socks and  gulped for air. With desperate eyes he sized up his abhorrent foe, his Goliath. Its silence, a snide boast of invulnerability, mocked him more than howls of laughter. Unknown muscles in his shoulder and back twitched. He spat and probed for weaknesses. Then the fifty-sixth attack met the same ignominious fate as its predecessors.

He sought sustenance in Hate, which is not a fickle flame contingent on the fuel of man’s misfortunes but a great wind impelling warriors in all ages. His Aussie slouch hat provided scant protection from the jaundiced eye in the heavens. How many conflicts has it beheld, delighted or appalled but never indifferent. That would be intolerable. If  it doesn’t care, who does?

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Impervious, the start chord awaited, an Excalibur only the salesman could effectively extract from the LawnMaster Easy-Start Deluxe Mulching Mower. Gus shielded his eyes and looked to the horizon for strength, for perspective. The earth, is it not a vast coliseum?

Rivulets of sweat added a shimmering gloss to what he saw, but they didn’t create it. Certainly an electrolyte deficiency played a role, but not as a sufficient cause. When he attempted to stretch, the crackle from his back was disturbing but extraneous to what followed. Not all  enigmatic visions can be dismissed as pathologies. The smug little skeptics who deify first principles forget that philosophic fundamentalism is as inbred and ill-kempt as its bucktoothed religious cousin.

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Above a Bucky Badger weather-vane on the garage, cumulus clouds morphed into a ghostly figure pushing a mower across a lawn punctured by iridescent dandelions. He dissolved but the grass remained, as if to ridicule and defile the purpose of his fleeting existence. Gus collapsed. “How many hours of my life have I spent cutting the lawn?” he cried, recoiling from the leprous growth surrounding him.

Mentholated smoke wafted through the den where his wife played Mah Jong on the computer amid the sonorous thunder of “Song Sung Blue.” “Why don’t you wait until the sun goes down?”

“Because it will be dark then. We’d need to add a guide dog to the other five.” He tottered to the kitchen and poured  a gin-and-tonic sans tonic and found a scratch-pad. “Must have started when I was twelve. That’s an hour each week walking behind a deafening machine, choking on exhaust in the scalding sun. Have to do it at least twenty times a year. Forty years times twenty equals … sweet Jesus. That’s over  a month of cutting the lawn non-stop. Look at that segment of my life. Stolen. And I never would have known.”

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“Gussy, what are you shouting about? Why don’t we pay one of the neighbor kids to do it?”

“Because cutting the grass isn’t a video game, and we can’t afford the special helmets they need.” He stared at the numbers like a scientist examining a lethal virus through a microscope. “All the evidence is right here. Anyone could have found it. Unless they’re afraid or brainwashed, why haven’t they? Maybe it’s like people stuck in a communist country who have no idea how restricted their lives are.”

He poured another gin-and-tonic sans tonic and looked out the window at the insidious LawnMaster Easy-Start Deluxe Mulching Mower. Its chrome handle extruded from an orange plastic shell: a monstrous, rapacious crustacean waiting to attack him and devour more of his life. “You’ve been sucking up my time. What sane man would consent to being born if he knew his life would involve an entire month of cutting the grass?”

Propelled by the mysterious dynamism animating all beings, the analysis took on a life of its own. During his weekend shifts, Gus ignored college football, Cops, and even the adventures of Mary Weatherworth to begin a Segmentarian Critique. The calculations were simple to perform, but contemplating the sums proved no less daunting than the observation of crime scene photos. Worse than the outrage was the lack of a culprit.

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“Shaving averages out to five minutes a day since I was fifteen. If I live to be eighty that’s … Who would consent to being born if he knew he’d have to spend three months shaving?”

“Tossing and turning in bed is at least four hours a week, which comes to … another twelve months. After all these segments are chopped off, what’s left? And if the government isn’t behind this, who is? It’s too organized and systematic to be a coincidence. Has anyone else calculated  it? Maybe this is what pushed John Nash over the edge.”

With the weariness of all lonely soldiers of fortune fighting a war of ideas, Gus wishes his LawnMaster Easy-Start Deluxe Mulching Mower had started on the fifty-sixth try that afternoon. Once you start exposing life to the terrifying clarity of Segmentarianism there is no turning back. Amazing how a happenstance brush with an idea can change a man.

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“Some day all the grass will look like this. When there’s no one round to cut it, it’ll just grow and grow, all long and messy.”

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To remedy the Lawnmower Blues, contemplate things less ephemeral than your absurd chore. You, shadow’s dream, changing the length of your lawn each week, devoting your fleeting days to glorifications of futility while the cluster of gasses recently nicknamed Jupiter remain chaotic as they were in the Permian. Oblivion is patient; permanence, relative. That even it shall die, this cherub who shone in a wondrous way for billenium, should its mortality bring you comfort, a sense of familial affinity, or despair? If nothing be permanent, then only Nothing is permanent. And ultimately triumphant. There is no Ontological anchor in Heraclitus’ rapids.

Watchman & The Mystery Box

Shi Tzu, Cosmic Yak Dog

Plato’s Cave? Big Whoop!

 

 

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Annals, philosophy, Truth

The Dialogues of Supernatural Individuation

A Deductive Exorcism of Ghosts

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So that the Reader may fully share in this glorious triumph against superstition, it is essential that he understand and fully acknowledge the theoretical impossibility of ghosts. To the philosophic novice, being theoretically impossible is a far graver offense than being physically impossible. The latter is a misdemeanor against the laws of nature; the former is a desecration of logic herself. Unfortunately, a straightforward descant would expose even the most learned to arguments intricate and arcane. Despite the technical perfection, my exposition would prove insufficient to infuse the Reader with the perplexities that assailed me or bring him to his knees with the unique awe of a grand philosophic revelation. His loss would be of tragic proportions: the argument I shall unveil is as original and profound as the introduction of amino acids into the primordial soup.

To clearly elucidate and explore this point, I have decided to demonstrate it by means of a dialogue. If the format was good enough for Plato and David Hume it is good enough for me. The Reader is encouraged to imagine himself seated at the table with the participants, actively following (perhaps even participating in) the discussion.

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The Participants

Sophia represents the voice of Reason. Scatius is a wily philosopher whose views are in diametric opposition to mine. Cretinius holds the views of the common man.

***

At a picnic table in Pulaski Park sat Sophia, Cretinius, and I. The morning sun or Sophia, which article of Creation deserved greater reverence, which was more conspicuous and inexplicable in its beauty and power? Though she was barely eighteen, to look into her dark green eyes was to confront Wisdom itself. We shared a bottle of peppermint schnapps while giant but gentle Cretinius worked the morning crossword.

“Sophia, a fascinating problem vexes me. In the realm of the supernatural, how in theory would we individuate things? How would we recognize one entity as being distinct from another?”

“What’s a two-letter word for alternative?” said Cretinius, rubbing his salient brow.

After some thought, Sophia leaned forward, revealing cleavage from the plenitudinous bosom concealed beneath her toga. “It couldn’t be the same way we individuate natural things. Consider five coins. What distinguishes each of them is their occupation of different spaces.”

“Exactly,” I said. “Now I am not asserting that spatial continuity is the only consideration, but it is essential.”

“Cretinius, that’s a terrible habit,” said Sophia, her radiant features grimacing as his finger excavated his nose.

A loud belching interrupted her as Scatius staggered into the park. His spindly legs seemed incapable of supporting the humpbacked torso upon them.

“I fear he is in his cups again,” I whispered.

“Those are sandals,” said Cretinius, his lazy eye looking up and away from the crossword.

“I wonder what views Scatius holds on your position,” said Sophia.

“And what position is that?” he said, taking a seat. The black caves of Scatius’ eyes provided the only contrast on his forbidding face to his pasty skin. Though his hair was thin to the point of endangered, his skeletal arms were covered with dense patches of beastly fur. He helped himself to our schnapps, guzzling it from the bottle.

“Driving, page-turning force” Publishers Weekly

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“I was maintaining the theoretical impossibility of ghosts,” I said. “My critique is more severe than the assertion that they do not exist. I maintain that it makes no sense to even speak of them.”

“Ah, the cheap solvent of logical positivism,” he said with a hiccup. “That’s about as original as breathing.”

“Scatius! Don’t touch me there,” cried Cretinius.

“My argument owes nothing to the lazy and arrogant positivists,” I said. “They assert that statements are only meaningful if they are verifiable. My position is that we cannot coherently speak of ghosts because they cannot be individuated by the criterion of spatial continuity. The difference between one and three of them is not a feature of the distinct chunks of space they occupy. By what criterion can they be separated?”

“Your argument is fascinating,” said Sophia, cradling her chin in her hand and batting her long lashes.

“It is interesting,” agreed Scatius.

“What about Casper the Friendly Ghost?” asked Cretinius. “He takes up space. So do the ones on Ghostbusters.”

“That’s the stupidest thing I’ve ever heard,” said Sophia.

“Be patient,” I said, stroking the celestial crop of sun-bleached down on her arm. “Something good will arise, non-Phoenix-like*, from his point. Cretinius has voiced the common perception of ghosts. Although we say they do not have spatial dimensions, we conceive of them as gaseous or luminous beings who occupy space in a mysterious fashion that allows them to float through walls. Unable to conceive of non-physical, non-spatial, invisible beings, we are reduced to the conceptual level of tabloid sightings and cartoons. Oh, what can comfort a man who finds himself in a town of ghosts, a town where the stern sheriff of logic is not obeyed?”

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Plato’s Cave? Big Whoop!

Scatius belched. “The answer is both obvious and devastating to your cute little argument. Ghosts can be individuated on the grounds that they have unique minds or personalities.”

Sophia turned to me and put her hand atop mine. So soft the skin. So unequivocal the yearning in her eyes. The sun beamed on its masterful handiwork: sporadic freckles on her nose, shoulders, and in the heavenly valley of her mountainous bosom.

“What’s a three-letter word for opposite of later?” asked Cretinius.

I winked at Sophia and clasped her tiny hand and prepared for triumph. “On the contrary, we cannot speak of distinct personalities unless individuation has already occurred. ‘I have seven minds but my bother has only four,’ is a ridiculous statement, but if physical embodiment is not a criterion how can we criticize it? From this it follows that we have no means of individuating disembodied minds.”

“Sophistry,” groaned Scatius, reaching for the schnapps. He finished the bottle and smashed it on the bike path. “Let me think,” he said, massaging his temples.

“Oh Petronius, your arguments shine with the light of Truth,” said Sophia.

“Here is the fundamental difficulty,” I said. “Terms such as two, many, some, and few are coherent insofar as they refer to distinguishable items. If we have no means of theoretically distinguishing one ghost from another, what sense would it make to say that there are many of them as opposed to a few, or one as opposed to three? When we attempt to determine the autonomy of entities in a domain where spatial and physical considerations can not be applied we are, to put it politely, speaking gibberish.”

“Gibberish indeed,” said Scatius, pounding his fist on the table. “You would deny what all of mankind has believed since the dawn of time?”

“He’s angry,” said Cretinius.

“Mankind does not know that what they think they believe is conceptually impossible,” I said. “It is the philosopher’s task to demonstrate this, not to encourage their folly with trickery.”

“Writer’s throughout history have documented the tragic plight of ghosts,” said Scatius, putting his head on the table. “Trapped between planes, ignorant of their condition …” He began to snore.

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Shi Tzu, Buddhist Yak Dog?

“You mean cynical hacks know a good gimmick when they see it,” I said. “The lost-ghost cliché is absurd on the face of it. After a full day without hunger pangs or trips to the restroom even Cretinius would figure out that something special had occurred. And what should we make of the supernatural dimension that stands as the basis for these tales? What could possibly transpire in a bodiless, non-physical realm? The traditional answer is the experience of bliss or a reunion with deceased family members. Has no one noticed these are mutually exclusive?”

“But wouldn’t you want to see your father again?” said Sophia, running her fingers through my hair.

“Exceptions only prove the general rule. Regarding the plausibility of the former answer: compile a list of all the types of bliss you have experienced without the use of your body.”

Sophia giggled. “There aren’t many, and the best one isn’t included.”

“Something smells bad,” said Cretinius.

“Oh my,” cried Sophia, pinching her nose. “Poor Scatius has had an accident.”

“He pooped,” agreed Cretinius, and we all abandoned the table with its slumbering defecator. “Petronius, look at the bugs,” said Cretinius with glee. Attracted to the sweet liquid from the broken bottle, a squadron of yellow jackets darted about the shards.

“No Cretinius, those are –”

I put my finger to her lips. “Sophia, when I establish my Academy, Experience shall be granted an honorary professorship. Hopefully all my pupils will be as receptive to my teachings as you. And as lovely.”

Cretinius screamed and lumbered away flailing his arms.

“Now, even if we can conceive of a disembodied state of bliss, what do we mean by bliss in this context? A state of schnapps intoxication? For all eternity? As much joy as that syrupy nectar can bring, would you want to feel like that forever?”

“Oh Petronius, let’s go for a walk in the park.”

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Petronius Who?!

*On principle I avoid all references to Egyptian mythology. As clever as they were in covering a desert with giant triangles and gruesome half-cat half-man monstrosities, their obsession with the afterworld was preposterous. How did they expect a mummy to untangle himself once he arrived in the next kingdom? Did not the removal of his vital organs and brain bode ill for his health and vigor? What were those silly people thinking?

As the legend has it, after the Phoenix set its nest afire and burnt itself to a crisp, it was reborn. Why can no modern hack go within a mile of a keyboard without making a reference to it? Verily, it is the true curse of the Pharaohs. That such a story persisted longer than one generation bespeaks the appalling poverty of imagination rampant in Egypt at the time. Worse, it is frighteningly evocative of the Buddhist monks who practiced self-immolation in protest of the Vietnam War.

A conscientious writer will only use a mythic allusion to bring clarity. If there exists even a remote chance of it evoking irritating questions regarding mummies or horrific images of suicides, then he must look to other means to make his point.

Even ignoring the preceding (and utterly damning) objections, it is not clear a Phoenix reference would have been appropriate. I want something good to arise from inferior questions. There is nothing whatsoever in the Phoenix legend about a superior bird arising. It is the same tedious, self-immolating one each and every time.

A question we shall not pursue here is how a bird can set anything on fire. Did it strike a match? Did it rub two rocks together? The Egyptians were aware that birds lack opposable thumbs, were they not? Perhaps they should have spent less time carving gibberish on their gaudy tombs and more time observing the natural world. What manner of brain-disabling deadline did the author of this puerile legend work under? Had the Pharaoh commissioned him to write a new one by the morrow? Or did he compose it after hours in the broiling sun?

In summary: a reference to a Phoenix arising would have been inappropriate, subjected the Reader to needless trauma, quite possibly ruined my otherwise splendid dialogue, and covered my hands in filth from the crime of perpetuating this cheap, contrived, and all-around deplorable myth.

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The Mushroom of Consciousness

The-Sweetness-of-Honey-cover

A Novel of Vengeance, Honor & Bobbleheads

 

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Literature, Ontology, Truth

GIWWPN Genius Fellowship Grant

Great Irish Writers with Polish Names (GIWWPN) Awards Petronius Jablonski their Genius Fellowship Grant “not for previous art but as an investment in his future.” In 2017 they nominated Mount Silenus: A Vertical  Odyssey of Extraordinary Peril for novel of the year.

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Petronius Jablonski adopted his pen-name while undercover with the Sentinels of the Chandelier. His exposé of this modern cult with roots in ancient Greece was released as Schrodinger’s Dachshund to avoid punitive legal measures and worse. He regrets his nom de plume insofar as it discloses the true source of his literary excellence. In celebration of this prestigious award, plug in, pass out, and discover it’s clovers all the way down.

“Employs secrets and intrigue as a driving, page-turning force. Jablonski injects a sense of immediacy and intensity in the story by using sparse description that suggests more than it tells.” Publishers Weekly  

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The Irish Tymes: You’ve said your ethnic-sounding name has subjected you to racism. How can you tell it’s not directed at the man who exposed the Sentinels of the Chandelier? Who else would go out of there way to insult an author of literary fiction?

PJ: I’m not a mind reader. I don’t posit motivations beyond what the evidence warrants. I’ve deleted dozens of ghastly, heartbreaking comments from my blog, one from a “Polish homosexual” who tried to “give his girlfriend a b_____ b.” He sought advice on the proper technique. Another left an interesting comment about one of the paradoxes in Annals. I complimented his thoughtful analysis. After a scholarly exchange, he asked if it was true the Poles didn’t discover sex until the twelfth-century, having reproduced by raiding warthog litters before then. This is hate. It chills the blood. It’s changed my view of  human nature and the focus of my writing.

The Irish Tymes: It’s like you changed your identity to avoid one type of hate only to exchange it for another.

PJ: I understand the attacks from the Sentinels of the Chandelier. I know why security guards resent murderous caricatures.  Expecting any other response would be naive, functionally illiterate of how people behave. But to target a man because of a Polish-sounding name is to hate an abstraction; it’s like detesting a Platonic form. I’m baffled by this. I was corresponding with someone I thought was a Polish fan. He wrote that he was going to Rome for a vacation. Following his adventures wasn’t what I’d call exciting, but I was happy for him. Then he wrote that he became so intoxicated he kissed his wife and beat the Pope’s foot to a pulp with a shovel.

The Irish Tymes: That’s an Irish joke.

PJ: So he was a thief and a bigot. It was a cruel thing to do. Why does my misfortune bring another joy? That should be the fundamental question of Psychology.

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The Irish Tymes: Does it seem like your Genius Grant is good karma coming back to you?

PJ: Until I question the concept of karma. I’ve heard of delayed gratification but this is ridiculous. I spent much of 1993 – 2015 writing The Annals because it’s the book I’d want on a desert island. I wrote it for me. This isn’t some prescriptive declaration for other writers (quite the contrary). The idea that I deserved something for my efforts is philosophically incoherent. I’m ecstatic that GIWWPN saw enough potential in my writing to justify a generous grant. Three agents devoted years of their lives to this book. One threatened to go on a hunger strike to avoid changes an editor wanted. I’m proud to have elicited noble sentiments in others.

The Irish Tymes: Are you obligated to write something, or do they simply hand you the check?

PJ: I can’t confirm this, but I’ve heard they run background checks for evidence of “Writing OCD.” They want the writer who couldn’t stop if you put a gun to his head. Throwing money at him might have interesting results. Instead of writing and reading twelve hours a day, I’ll be shooting for twenty. The grant is a means of enabling Irish writers with serious addictions.

The Irish Tymes: How bad (or should I say good) is your Writing OCD?

PJ: Schrodinger’s Dachshund went through a thousand drafts. I’m not exaggerating. Every word was the subject of lengthy debate or violent conflict. Civil warfare scorched my soul. At one point it was fourteen-hundred pages. I went many months without sleep sketching that strange land, developing an ontology to accommodate the physics and mythology. The whole damn thing was a compulsion, like I’d been chosen to write it and phobic of telling it the wrong way. Writing novels is like filming Fitzcarraldo.

The Irish Tymes: Was it worth it? Publishers Weekly raved.

PJ: I struggle with the coherence of free will. The question is a category error if I had no choice. I haven’t been able to live like a normal man since it was published. I’m not rich. I’ll never fully recover from the years spent thinking of nothing else. I’m still in shock and fear I always will be. Some blocks of time are so vivid, so blindingly bright and real it’s impossible to distinguish between Now and Then. The past is not the past if it never recedes. That it occurred before the present is a trivial property, accidental and irrelevant to the sovereignty it wields. The rest of my life feels dreamlike by comparison.

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The Irish Tymes: Can you talk about the lawsuit with Tryposoothe?

PJ: I can’t. Wink wink.

The Irish Tymes: It’s an unsubstantiated rumor of course. One of the big pharmaceutical companies is suing you for defaming a product they haven’t yet released, a treatment for Trypophobia.

PJ: Name an unpleasant feature of human existence that couldn’t be improved — in the short term — with a benzodiazepine. This is science? This is medicine? And I didn’t defame their beloved Xanax Junior, Tryposoothe. I merely suggested an alternative explanation on Wikipedia and it went bye-bye down the memory hole. Here’s the consensus of the experts: unless you’re whistling contentedly in a cubicle you’re insane and need potent brain drugs every day for the remainder of your life. 85% of the population is “mentally ill” as of last week. Don’t question this or you’re an anti-science loon!

The Irish Tymes: I’ve actually heard estimates as high as 25%, but they qualify it into oblivion. Your next novel, The Sweetness of Honey, deals with mental illness and homelessness. What kind of research did you do?

PJ: Research? That was subtle. Well done.

The Irish Tymes: I wouldn’t assume you made it up out of whole cloth.

PJ: Of course not. And you’d never just ask, “Has that ever happened to you? Is that what happened after the mountain fiasco, or while hiding out from the cult? Isn’t that the central theme of Annals? I don’t want to tell tales out of school, but some people say …”

The Irish Tymes: One early review says it’s the most distinctive novel of the twenty-first century, prophetically dealing with tribalism, madness, and redemption from nihilism.

PJ: Novels don’t deal with issues; that’s for dissertations and Cosmo articles. I create Art.

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An Odyssey of Historic Proportions and Priceless Treasure of Philosophy

Serial Killers Who Worked Security

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Climbing, Existentialism, Ontology, Sloth, Truth

The Abominable Unau

MOUNT SILENUS: A Vertical Odyssey

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In search of a legendary prehistoric sloth, Jablonski developed Post-Traumatic Mountaineering Disorder. The past is not the past if it never recedes. Journal therapy didn’t help. Developed in the 1940s, it uses second-person POV to create a distance from the ordeal. Note well: brooding isn’t therapy. Calling this a novel is little more than denial.

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When we try to conceive of Nothing, whatever preceded all Existence, we invariably imagine some infinite darkness. But it could have been white, like the storm engulfing you. The spirit of chaos freed, a tempest rages, obliterating the forms of things and returning them to blurry potentiality. Nature’s volatile moods and the devastation they wreak, her apocalyptic fury in all epochs and places, a teleological interpretation must choose between wrath or regret.

Onward you hobble. The tent has to be around here somewhere. Was it necessary to walk this far in a blizzard to defecate? A dark shape solidifies in the icy static ahead. Is that the tent or are the curtains parting on the burlesque of life to allow a character from an earlier act to take a final bow? Thirty feet tall it lurches toward you, sickle claws protruding from furry stumps, long front legs stretching like the arms of a witch reaching across a table to read a palm. Through veils of snow appears a nose with the contours and padding of a leather recliner, infringing on space that should have been reserved for its tiny eyes.

Megatherium

2018 GIWWPN Genius Fellowship Grant

Get down, you fool! You can’t outrun it in your condition. Do you think it will understand you were screaming in agony as you collapsed, not provocation.

Allegedly erased from the ledger of life, presumed to have plunged into that mass grave awaiting us all, it stands triumphant, in absolute defiance of Time and Nature and all man’s theories and measurements, which measure nothing at all, not even man. The wind howls in disbelief at this zombie returned from the dead. It throws back its head and makes a deep gurgling noise that sends tremors across the ground.

In lieu of girding your loins, you wet them. It stoops until its nose is inches from your face. The breeze from its inhalation sucks your hair straight up. How do you appear to it, as the pinnacle of creation, the raison d’être of existence, the summon bonum of Being, a member of the almighty species who spread its fungal growth to the moon, erecting temples to vanity in the dark heavens? Does it know man hath dominion over it, or does it see a bug too big to eat in one bite?

Digging through your jacket for the knife you neglected to bring you find a burrito. Characterized by indifference to death, consoling thoughts emerge. This is no worse than any other way of dying. And I get a last meal.

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Perhaps the rigors of dialectic aren’t welcome at times like this, but being mauled by a behemoth is immeasurably worse than drifting off in a Jacuzzi or going out with a Bang! during a tryst with one of the locals. (Keepsakes such as your watch and credit cards would facilitate closure. This is an occupational hazard in her line of work.)

You take a bite of the burrito. The veggies so crisp, so scrumptious. How is the inner essence of food transmitted by your tongue to the theatre between your ears? During how many tens of thousands of meals have you never wondered? Now is the time to take stock of your life. What lasting good have I accomplished? How many times have I made love? What about the times I can’t remember because I was drunk? Was there some point to all this? 

The Abominable Unau’s nose pulsates, taking on a life of its own. How does the burrito smell to a creature whose olfactory powers are a million times greater than yours? Analogous to how Ulysses seems to you but not your cat. You offer it the rest and yank your hand back from rubbery lips. It makes a slurping sound as it chews. You reach up and touch its thick fur and rub its chest. It emits a baritone purr and licks your head with what feels like a waterbed wrapped in sandpaper. Without any deliberation you clutch its underbelly. And this is not an instinct. Momentous decisions throughout history were often free of planning, as if generated spontaneously, as if preordained or fated.

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“Jablonski is able to inject a sense of immediacy and intensity in the story by using sparse description that suggests more than it tells. An engaging narrative.” – Publishers Weekly

***

Mount Silenus is not a part of the earth but a prodigal son staying away in contempt of its lowly origins. Proof that man is not the measure of all things, it derides every notion of harmonious design. Behold this mockery of all human configurations and tremble.

Under the anesthesia of routine we slumber, impervious to life’s true nature. The constant yearning for what we lack, the urge to be free of what we loathe, chasing pleasures that vanish like dust. Are these life’s limitations or essence? Men go to absurd lengths explaining the problem of evil. In the process they sound like half-wit attorneys defending a mass-murderer. They say happenstance is a robber, free will a mixed blessing, joy more abundant than pain. Look deeper. There is a mighty force opposing our every plan, a cruel gravity smothering us, the heel of a boot grinding out the embers of our souls, a sadist cloaked in the dark fabric of existence. It is the implacable colossus of Fate. We scarcely have time to stumble onto the battlefield, much less comprehend our plight and mount a counterattack. In a few twinklings of the sun, on a day no different than all that came before, the cosmic ogre squashes us. Those convulsive growls that rend the sky, they are not thunder. They are laughter.

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Everest? Big Whoop!

Some say Fate cannot be fought, that it is entrapping as quicksand, omnipresent as the ether. Notice how the cleverest excuses and slipperiest arguments are used in defense of cowardice. Through capitulation to routine man dies an ignoble death long before his mortal coil makes it official. He forgets he is living. Combat is the supreme reminder. What is that putrid stench? Is it not the rot of man’s spirit, the smell of lies told to assuage the failure of those too craven to fight, smoke wafting from the languid den of routine addicts? To wage war against Fate one must locate the most auspicious outpost and launch an attack. That fortress is Mount Silenus. A battle calls. Warrior, arise!

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Petronius Who?

Serial Killers Who Worked Security

The Temple of 11,111,117 Holes

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